Figs

“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out.

I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”

 

-Sylvia Plath

 

My figs aren't exactly the same, but they are figs nonetheless. Still here but wrestling hard.

Kicking The Fat Girl While She's Down...

I left my counselor's office yesterday feeling absolutely awful. It wasn't her fault. Dr. Sarah was lovely, as always. "We've got to help you learn to take better care of yourself," she said at one point.

"All I want to do is sleep," I replied.

"That sounds like depression."

"Great."

 

 

I was/am feeling pretty beat up. Zack left for the other side of the world to go teach and inspire and help people. Also to shoot for Fuji in Istanbul. You know, cool stuff. It's a constant battle between the two of us on this issue of his work.

He says, "It's what pays the bills. It's draining. It's not glamorous. It's hard work."

I reply with, "Yes, but you get to do what you LOVE to do. You're working with a camera in your hands. You get to work in photography."

I am the mom. I do the mom stuff. I am told that should be enough. That to be a mother is the most noble thing. The best thing.

There must be something wrong with me.

I love my kids but I long to do more with my life. It's hard to watch my husband walking in his talents and not feel left behind. To not feel shut down. To not wonder, "When do I get a turn?"

Maybe that's selfish.

I'm being pretty vulnerable when I write this.

Maybe I'll erase this.

Anyway, all of this was going through my mind yesterday. Like it does. A sort of endless cycle.

"Just hang on, Meg. In 11 years you'll get to make a decision for yourself. Based on what you want to do. You can do whatever the hell you want. In 11 years."

 

I miss my husband. I like the guy, he's my -- as Hawke would say it -- "best priend". Last night I started watching some of his YouTube videos just to hear the sound of his voice. While watching the Pro Photographer Cheap Camera Challenge I made the mistake of reading the top few comments.

Where I saw this:

Screen Shot 2013-03-01 at 3.00.44 AM

 

The fat girl is me. I was the one walking around in the background with Alamby.

I saw that and logically knew that I shouldn't be affected by it. But I was. Oh I was.

So I wept. Hard. And for a long time.

I had a moment of what I would call "weakness" where I shared the screen shot on Facebook. Normally I am not one to share something like that, but I did. A lot of people responded with kind words. Words that were a balm to my wounded little heart. They meant a lot to me, so if you were one of them, thank you very much.

 

I am trying very hard to pull myself up by my bootstraps -- like I always have. Like I always do. But I am having a much harder time of it than I normally do.

I am tired. So so tired. I've been pulling myself up by my bootstraps since my mother died when I was 13. Taking care of everyone else. I don't know how much longer I can keep up. Part of me wants to crawl into bed, pull the covers over my head, and sleep -- Rip Van Winkle style -- for a long ass time. Even trying to write this is hard. It feels stilted. Clumsy. Wooden.

Being a mom is hard. Being a creative mom who can't find herself is harder. Yeah, I just said that.

I know I will make it out of this somehow; right now, though, it's feeling pretty grim.

What are some things you do when things feel so dark? I'm telling you -- I could use some insights.

 

 

Polly

For those of you who are interested in hearing the full version of my song, "Polly", that Zack used in his short film "Signal & Noise", you can download it by clicking here ------> Polly The song is actually still a work in progress; what was recorded were merely ideas and rough sketches for a hopeful finished product. I started writing the song shortly after the death of my Grandmother, who passed away the day after Christmas this past year (2012). Her name was Vera, but was always called Polly, and I was mourning the fact that I did not get a chance to say goodbye before she died. There are no lyrics because I did not have words to sing. Just melodies, and the desire to use my voice as an instrument. When Zack asked if I had anything that could work for the film he was making, I played him a bit of the song and he liked it, so my dear friend, Deke Spears (who helped me produce The Cracks & The Crevices and The Loss & The Love), and I put together what you hear in the track.

It might be finished. It might not. I might leave it as is. I might change it or morph it into something else. If anything I feel that it captures a bit of the emotion.

What do you think? Should I leave it as is? Or give it actual words and fill it out a bit more?

Thanks for stopping by.

"To live in hearts we leave behind Is not to die."

Thomas Campbell, "Hallowed Ground"

Quiet Hounds :: New album on its way...

In a little house, on some farmland just northwest of Atlanta, my brother Hounds are busy laying down new melodies. Happily, I get to be a part of it. I am pleased to literally lend my voice and time to such a talented group of friends. Also, soon I will start the process of recording four more songs to bring this trilogy of EPs* project to a close. I use the word, "close" lightly though, as this process has been so much more of a beginning for me than I can properly convey.

I'm getting ready for this winter; hunkering down with good wine, good books, time in my new studio (more to come on this later) not a little chaos, as there always tends to be chaos in spades with four boys running about my house, and ruminating on what is to come. There is so much on its way and it is all so very, very good. Things have been changing in me. Much. A lot. More muchness is happening in me? To me? All internal, all in heart and head. The best kind of growing larger. Although, if I don't lay off the egg nog I'll be growing a little more externally, too. I'll write more when I have the words. They are there, just not quite ripe enough for picking, and I am getting ready to do some harvesting.

"Let us love winter, for it is the spring of genius." Pietro Aretino

*First was The Cracks & The Crevices, then The Loss & The Love, and soon to come, The Hope & The Hurt.

The Possible Impossible Project

IMG_9180Damn it all. I'm really in for it now.

I swore that I wouldn't get sucked into photography ANYTHING.

That's what Zack does. He's the photographer.

And yet here I am walking out the door everyday with my little SX-70 trying to capture moments in real time and not just in megabytes. Not in pixels.

I want something I can hold.

I don't do well with screens. I don't like looking at screens (she said, while typing staring at a screen), I don't look good on screens; I am not a fan of digital period.

Give me analog or give me death.

IMG_9030

Thus, the beauty of the Impossible Project and the loveliness that comes from their effort to bring back the analog image. Muchly much joy is derived from the sound of the camera launching into action and giving me a picture of what I just saw. Never as I originally saw it, though. Always something elusive in how differently the camera sees what I see.

It's addictive.

I love it.

Shhhhh...

A Quote From Christopher Morely

This was the last message Christopher Morely gave to his friends and it is resonating with me deeply these days. And so, because I like you, I want to share it with you, too. "Read, every day, something no one else is reading. Think, every day, something no one else is thinking. Do, every day, something no one else would be silly enough to do. It is bad for the mind to continually be part of unanimity."

Why are you thinking/doing/being/believing what you purport to think/do/be/believe?

More importantly, are you sure about it?

Calm Down or Up but don't Give Up

IMG_8943

“Such is the pleasure of projecting that many content themselves with a succession of visionary schemes, and wear out their allotted time in the calm amusement of contriving what they never attempt or hope to execute." --Samuel Johnson

I am fighting hard against the undertow of stress that is pulling on me these days. There is much to be done, and oh, I will get it done, but it's easy to allow myself to sink into a kind of noble procrastination. By that I mean choosing "busy-ness" because it gives me an excuse to not dive into, and finish projects, I've started. Why wouldn't I want to finish them you might ask? Because, if I finish them, and put them out into the world, they might fail. I can't fail at laundry. Or chores. Or the various sundry of errands that I find myself swept up in. I am really rather good at those things.

So. I need the calmness of heart to push through my noble procrastinating, but not so calm that I fall prey to what ol' Samuel was talking about up there in between those quotation marks.

So here it is, a list of things that I am working on, so that I can be held accountable by the internetz.

1. A conference/retreat (a concreat? A Reconferencetreat?) for creative women, specifically geared towards moms. Even more specifically geared to those moms who have much in them to do, but haven't learned, or in my case, forgot how to, make time for themselves and their art. Who feel guilty even wanting to pursue it. More on this later. But you heard it here first. This one is a big one. In the next year. It. Will. Happen. My friend, Betsy Garmon is going to be involved, too!

2. The book I have been working on for about two years has now broken off into two different projects. The one I'm choosing to focus on now is centered around my my mom's death 21 years ago. Only now it's become something entirely different from a book. Much to my horror, it has morphed into a one woman show, complete with props, the portrayal of different characters, and the singing of songs. I've been fighting against it so hard. So, so hard. But I can't shake it. It's a persistent daydream and if I have learned anything, I have learned to pay attention to my daydreams.

3. Learning how to take real nice pictures. Not because my husband is who he is. Not because I want to be a photographer. I just want to experiment in another medium. That's all. Just stretching creative muscles is all.

What about you? What are you working on? TALK TO ME PEOPLE.

The Loss and the Love

I am sitting in good ol' St. Arbucks right now, in my little home of downtown Decatur, GA. I am wearing a sweater. And a scarf. Both of which make me so happy. I am not a hot weather girl. I am a boots, jackets, sweaters, scarves kinda girl. Today, on this very perfect 9th of October, I am releasing the next batch of songs that I worked on over the summer. When it was hot.

When I recorded the vocals in a hot warehouse storage/band practice area at night, because the sun had gone down and the heat of the day had dissipated for a bit. For the day. For a few hours.

Deke, my good friend, and my genius producer, constructed a little vocal booth out of blankets and a couple rolling walls. We would have a fan blowing in the booth in between takes to try and make it bearable for when I was in there. I can't listen to these songs now without remembering the heat and the late nights. The only time I will remember heat fondly, I think.

The song "Twine" with its green and white and its strings makes my heart swell.

"Lucille" was written after a particularly painful trip to NYC where I spent time with two different friends who were/are going through very difficult and/or growing (depending on how you look at it) times in their lives. Unrelated and yet not. Separate but always and ever together in these lyrics.

"Spanish Bombs" is a cover song from The Clash's "London Calling" album. I fell in love with this song after I was asked to cover it for an ATL Collective event last year. I suspect the Spanish in the song is most likely wrong but I chose to sing it true to how good ol' Joe originally sang it. I just chose to sing, "Oh my heart" at the end. Changing the Spanish to English to reiterate the beauty of the words. It really is a beautiful song. I just hope Joe isn't turning in his grave.

I sang the song "Sweet Hello" through 3 times. No stopping. No cutting and pasting of vocals. I think I ended up choosing the 3rd take. I wanted that song as close to real as possible.

I just got a notification on my phone that my parking ended. 5 minutes ago. Which, knowing my luck, means that a parking ticket officer fiend person, was standing there waiting on my time to end and is now gleefully dashing off a ticket to put on my windshield with a flourish.

I should go check.

In the meantime, please listen to my latest musical offering. I am already working on the next, and (for this project) last batch of songs. I'm hoping to release "The Hope and the Hurt" sometime in February.

Much love.

Music for my Mother

My mom would’ve been 57 years old this day, July 17th, 2012, and I dedicate this EP to her. You see, when she was here, all five feet and one inch of her, all red hair and freckles of her, all the slight lisp and spunk of her, I didn’t know to treasure her. I didn’t know so much. Come to think of it, I still don’t. Like a lot - don’t.

I didn’t know how [expletive deleted] young 36 years of age was; which was my mom's age when she died.

I didn’t know how hard it was to be a mom.

The Cracks and the Crevices :: Coming July 17th

Just letting you in on a little secret. Deke Spears and I have been holed up in the studio 3-4 days a week since the beginning of May weaving sounds around my little melodies; melodies made in moments stolen when small boys and a bit bigger boys have been sleeping. Quiet hallways and tip-toeing about, whispering lyrics to myself, and playing my Winter upright as softly as I could.

Saturday's Child Works Hard For A Living

Hawke Danger turned three years old this past Wednesday. On the 16th. I can't believe that. He took his sweet dang time to decide to join the rest of us on the outside of me, that's for sure. It took barbeque, the movie "Zorro, the Gay Blade", and "Zach Galfinakis: Live at the Purple Onion" to get him to come out.

Anyone remember this old nursery rhyme?

Monday's child is fair of face, Tuesday's child is full of grace, Wednesday's child is full of woe, Thursday's child has far to go, Friday's child is loving and giving, Saturday's child works hard for his living, And the child that is born on the Sabbath day Is bonny and blithe, and good and gay.

Hawke was born on a Saturday. However, I have a feeling that the only thing he's going to have to work hard for is to get people to take him seriously. ;-) The child is a born entertainer.

(Insert the joke you're probably all thinking. "Gee, I wonder where he got THAT from?")

Har har.

We're going to have a party for him this Sunday. A Spiderman birthday. Or, as Hawke calls him, "Miterman." This always makes me think of a man in jeans, with toolbelt and googles on, standing akimbo next to a miter saw which gleams in the light.

"I'm Miterman! Here to save you from the evils of bad crown molding! The injustices of inaccurate crosscuts!"

For fun I looked up when Zack and I, and our other boys were born.

Zack was born on a Tuesday and he really is full of grace. Not literally mind you! But in how he operates in life. He's much nicer than I am. He's grace and I'm justice. We balance each other out.

Caleb and Joshua both were born on a Monday. Fair of face? Damn straight. Those boys are so handsome they'd make Brad Pitt swoon. (Not sure if that really makes sense. Let's just go with it.)

Phoenix was born on a Sunday. He, too, fits his "description". Well, most of the time. He IS an eleven year old boy, the "good" part he's still working on. When he read this poem, and got to the Sunday bit he said, "Mom, I don't have anything against people who are gay but...I happen to really like girls. So this is only kinda right."

I laughed.

I was born on a Thursday. Apparently, I have far to go. Awesome. Where exactly? And when I get there will I like it?

"Oh ho! Welcome Thursday's Child! You had far to go, and so you did, but you're here now. Well done."

"But this is an Applebee's."

"Quite right. Would you like an appetizer and two entrees for just $20?"

Happy Birthday, Hawke. You make us all belly laugh several times a day, your smile is contagious, your passion for life already so evident, your love of shoes rivals that of any woman, and that's just the tip of the iceberg. Thank you for being so dang good at being you. I love you more than chocolate loves milk. More than macaroni loves cheese. More than the dish loves the spoon.

"A three year old child is a being who gets almost as much fun out of a fifty-six dollar set of swings as it does out of finding a small green worm." 

Bill Vaughan

All You Want Is To Be A Rockstar

“All you want is to be a rock-star.”

“You suffer from delusions of grandeur.”

“You disdain motherhood.”

These three statements, made by a person I once called a friend, have reverberated in my head nearly everyday for six years. I allowed them to permeate my heart and there they festered and poisoned my self -esteem, my dreams, and my hopes. I let them. Heaven help me, I let them. I began to think that everyone saw me this way. That I was seen as a woman who was too much; who was too big; who wanted too much; who wanted more than I had a right to want.

This fact used to embarrass me. Why was I letting the words of this person bother me so much? Then I grew angry and I wanted an apology. But slowly, over time, I began to realize that these words were spoken by someone who didn’t understand me, who was riddled with their own insecurities and doubts, and, most likely, couldn’t stand to see someone think outside the box, to see someone decide to not be bound by what is expected of them. That’s when I began to feel empathy for this person. I thought about the idea of forgiving them. Then I thought about it some more.

Then I actually did.

All of a sudden I was free. Oh, it’s such a cliche isn’t it?

It’s true though, like most cliches always are.

A couple of blog posts ago I wrote about my time of solitude out at the Serenbe Farm near Palmetto, GA. It was there that I really wrestled through this. It was there that I had a bit of a break through over the fear and doubt that had been ruling me for so long. I allowed myself to rest. I offered myself some grace. Let myself off of the hook I had been re-hanging myself on everyday. I looked in the mirror and slowly, one by one, began to pull out those barbs that had settled so deeply into my heart.

I have always been a little afraid of the things that I think up. Since I was a little kid. The ideas that I have, oh boy - I have lots and lots and lots and lots of them. By afraid, I mean that I was afraid of what others would think of me if they knew what I dreamt about. I operated under a shroud of false-humility.  (Donald Miller has an incredible blog post about this. If you want to have your gluteus maximus kicked in a well written way, go read this ) I spent way too much time denying that I had big ideas, and big aspirations, and that I was talented, because one isn’t supposed to think that way. Somehow, (sadly mostly from the “church”. I’m pretty positive this pisses Jesus off big time) it was communicated to me that to believe in myself, to believe that I had a lot to offer, was wrong and vain.

When I got home from my respite at Serenbe, I noticed the manifestation of the time I had alone by the way my piano no longer mocked me when I walked past. It looked…friendly again. It wasn’t a reminder, a kind of remnant of what I used to do. Of what I used to love.  I sat down. Let my fingers wander over those familiar friends, those smooth white keys, and let the colours of the notes shyly step into my brain.

That was four months ago. I have written several new songs since then. Not all of them have been any good mind you, but they have been brought forth into the world. I have allowed myself to be creative again. I have allowed myself to dream big dreams again.

That is a big expletive deal.

Here’s the thing.

I got over myself.  I got over my dang ol’ silly self. I started thinking about the things I’ve said to friends of mine, who are seriously and amazingly talented (I’m thinking specifically of a conversation I had with my friend, Liz Chai), where I pretty much chastised her for not believing in herself. Where I said that she had so much talent, so much to give, and to stop comparing herself to other people who seemed to have it more together than she did.

Fuck Expletive ‘em” I said. “You are too good to hide behind doubt.”

I've been talking with my friend, Betsy, like I do, and she told me how she keeps a picture of herself at five years old up in her painting studio as a reminder to be that wide open. To be that alive. To be that free. It was in mulling over this conversation that I had a sudden revelation.

That I need to tell myself what I would tell myself if I wasn’t myself.

This is what came to mind when I decided to do that:

I am really, really, really, talented. I am good at a lot of things. And I should celebrate that. Not hide it. Why should I be ashamed of my talents? Why should I apologize for them? I have ideas of how to bring some beauty and wonder into this wide wide world; moments to sweep you away, dear reader. Moments to make you think. Moments to help you push through your past, to inspire you to create, to inspire you to fight off the same depression and shame that I have walked though. I want to do this because I need these things, too, not because I want any sort of accolades or admiration. Expletive that. I will do these things because I truly believe they have been placed in my heart by God to do. Ideas and dreams that will not be silenced any longer. And I want that for you, too. I really, really, really, do.

(I just used the word “really” six times. Just letting you know that I noticed it, too. And I’m leaving it that way so THERE.)

I will fail at some of them. Oh I will, I will. But I will not cower to that anymore. I will fail big. I will celebrate the losing. I will welcome the inevitable failings because, at the end of the day, I freakin’ TRIED.

Perhaps, you know, somebody, or lots of somebodies, will say that I suffer from delusions of grandeur.  Well then fine. If that’s the case then may I be deluded for the rest of my life.

At this moment I am sitting in small studio, on the Westside of Atlanta, literally one mile away from where, six years ago next month, so much pain was wrought in the community I was a part of. Because I made a choice to step outside of what was expected of me. I asked for a divorce from Phoenix’s father and chose to make a new path for myself. And people were pissed at me. However, out of that choice so much joy, and love, and growth, and hope, and life, and redemption, and FRUIT has been born. These songs reflect that. Some of them are old, from years ago, songs that I dusted off and welcomed back, and some that are so new they’re still teething. I can’t wait to share them with you.

I have made peace with the fact that I will never fit into normal. I am a messy-sparkly-clumsy-loud laughing-tight hugging-beautiful-slightly fluffy-funny-rubber faced-firecracker of a breath of fresh air.

Damn it all, I am PROUD of that. I've grown weary of shutting myself down because I just might make someone uncomfortable.

So now I ask of you, what are you hiding in yourself? What are you shutting down for a "someday"? What are you waiting for? Your children to get a little older? When you’ve lost some more weight? Who has told you that you are too much? Or, conversely, that you are not enough? (I think you’re allowed just a wee small moment of imagining that you’ve told them to go jump in a vast boiling lake. After that, though, you need to work on the forgiveness part. It’s kind of important. Just sayin’…) It just might be yourself telling you all these things and if that’s the case, may I suggest you do what I did.

Tell yourself what you would say to yourself if you weren’t yourself.

I dare you.

"All my life I had been looking for something, and everywhere I turned someone tried to tell me what it was.  I accepted their answers too, though they were often in contradiction and even self-contradictory.  I was naïve.  I was looking for myself and asking everyone except myself questions which I, and only I, could answer.  It took me a long time and much painful boomeranging of my expectations to achieve a realization everyone else appears to have been born with:  that I am nobody but myself." 

Ralph Ellison, "Battle Royal"

Whither Thou Goest

 

 

Six or so years ago now, my dear dear friend, Billy Somerville, had a side project going of the music he was writing that wasn't "corporate worship" related. The moniker that he went by was Cannonwill. Aside from the fact that he was (and is still) one of my very good friends, I loved his music. Just absolutely loved it. He wrote the song "Whither Thou Goest" at the end of 2005, perhaps the beginning of 2006. My iTunes file of the song shows a "Date Modified" of January 19, 2006 at 2:41 a.m.

Through a series of circumstances that perhaps one day I'll go into more detail about, Billy ended up living in Brooklyn, New York and is now well on his way to a Ph.D in Clinical Psychology. The smarty pants. Watching him go from a bright-eyed bushy tailed brilliant worship pastor/leader who basically started this church to an almost-in-a-couple-of-years Dr. Somerville in six years has been interesting and wonderful to say the least.

The last time I was in New York, back in February, he and I met up for breakfast before my flight home. We talked about a lot stuff. Some good things. Some painful things. You know, like you do when you talk with a good friend. We're both in such dramatically different places in our lives; so much has happened to both us. I don't know if I can speak for Billy, but I know that I find it so comforting to have a friend whom I've known for...14 years now? that has watched me walk through all kinds of wonderful moments and horrible moments and everything in between. I say all that to say that listening to Billy talk about the very different place that he is in his life brought back memories of the beautiful music he used to make. I don't know that he ever really plays like he used to. It's something that makes me profoundly sad on a lot of different levels.

I got on my plane that day with his song Whither Thou Goest looping through my head.

Here is Billy's original version of the song:

http://static.boomp3.com/player2.swf?id=8ttqu5ix1ho&title=06+Whither+Thou+GoestBilly's Whither Thou Goest

It stayed with me for a couple of weeks, sashaying it's way around my brain, before I finally couldn't take it anymore and I messaged him, and asked if I could record it.

"Messing around with Whither Thou Goest for my album. Are you cool with that? Also, I've added more chords in the verses. Is that okay"

It's was somewhere around 1 a.m so I was surprised when he wrote back a few minutes later,

"Yes, of course! Do it to it."

So I sat down and banged this out at 1:30 a.m.

I'm seriously considering putting this on my new record. (Yes, my new record. I can't believe it either but I've got some song babies that need to be born. They've been gestating for WAY TOO LONG.)

Here is my version of Whither Thou Goest:

http://static.boomp3.com/player2.swf?id=8tttu5mtk3g&title=Whither+Thou+GoestMeg's Whither Thou Goest

Whither thou goest, I will go. Where you lead, I will follow.

You're a pillar of cloud by day, A pillar of fire by night, My eyes are trained to see you. I am listening for your voice. I've come too far now To be led astray. My ears long to hear you.

Lead on, lead on, I am right behind.

So, the question is...what do you guys think? I know, I know it's rough. And badly recorded, just try to listen past that if you don't mind.

Thanks for listening. And reading. Also, do me a favour, if you ever meet, or happen to know Billy already, tell him to get back to the guitar; back to the piano, and to not stop writing. I'd appreciate it.

"It is not only one person's work, it's really a partnership and collaboration during all these years." - Christo

Jericho in the Elysian Fields

 

A year or so ago manCHILD from Mars Ill asked Zack if he would take some pictures for a new project he was starting up called, "Who's Rhyme is it Anyway?" a combination of freestyle rapping and the improv show "Who's Line is it Anyway?

Here's a section from the About Us section:

"Freestyle. Improvisation. Unscripted. Unlimited. Whose Rhyme is it Anyway is all of the above. It’s what happens when a few top-flight rap artists have a little too much time on their hands and the desire to do something new.

Joining forces to create Whose Rhyme is it Anyway are five highly respected voices in Hip-Hop: Playdough, Manchild and Heath McNease with recent additions RedCloud and Cookbook. Each of these artists is an expert freestyle rhyme technician, skilled entertainer, and has a real heart for people.

From their shared expertise, the three wanted to create a new format to reach more people. Whose Rhyme is it Anyway does just that. Basing its format on the hit show, “Whose Line is it Anyway,” Whose Rhyme… is an evening of sketches, songs, comedy, and multi-level crowd interaction that a simple music concert could never achieve.

Freestyle rhyming has always been a major part of hip-hop. In the late ‘70’s, kids on the corner spontaneously put words together to pass the time, settle their differences, or just have a good time. Since those early days, freestyling has come to the forefront of pop culture, showcased in commercials for iconic brands like The Gap and McDonalds. With the release of Eminem’s blockbuster movie “8 Mile”, mainstream America got an inside look for themselves."

Zack was and is a huge manCHILD fan and said that he would absolutely do this shoot for them even though they had nary a budget to speak of. After the shoot he gave some copies of my albums to the guys. He is known to do this. ;-) He never told me that he had given copies to these guys though!

6 months or so later I received a Facebook message from Heath McNease, one of the members of "Who's Rhyme..." I'm ashamed to say that I didn't know who he was. He said he was a musician and that Zack had given him a copy of Songs To Sail By. He said he liked my music and that he really liked the song, Jericho. Would I be okay with him working it into his next album?

I looked him up, liked what I heard (Heath is amazingly talented. Truly. And I don't say things like that about anyone. It's hip-hop meets brilliant songwriting meets I don't even know what. It's great.) and readily agreed. I told him he could absolutely use the song and that I was looking forward to hearing what he came up with.

Flash forward to a couple of months ago. Out of the blue Heath writes to me, and says that the song is done. The subject line of the email read,

"Here's your song...our song? Haha..."

He gave me a download link.

I listened.

I got goosebumps.

I was hearing my song transformed into something entirely new and it blew me away. It was so cool to hear the art that I made taken and remolded into art that Heath made.

So. All that to say, Heath's entire album, Thrift Store Jesus, is now out and available. It's a name your own price album, so you could download it for free if you wanted to, but you would be way cooler if you gave a little something for it.

Here's a link to the album on Bandcamp:

Heath McNease :: Thrift Store Jesus

Here's a link to the song Elysian Fields:

Heath McNease :: Elysian Fields

Have at it my friends. Please support this man and his talent. He deserves it so so so much.

"A painter paints pictures on canvas. But musicians paint their pictures on silence." L. Stokowski

For Der Fotograf...

A gentleman on Twitter had requested a link to the song that Zack used on his short film Transform. If you haven't watched this yet, I highly encourage you to do so. Not just because he's my husband and I think he's a genius (which he is, he really really is) but because it truly is a beautiful work of art. I didn't know he was going to use this song until he showed me the film itself. The song was recorded during practice one night with my band back in 2007. Michael Westbrook laid down the brilliant guitar work that you hear and Noah Alexander, my drummer, did a little remixing of it. It turned out really lovely for something that started out in such a rough form.

Click below to listen to the song. If you'd like to download you can click the widget and you can download it on Soundcloud.

Thanks to @derfotograf1967 for spurring me on to share it again.

"All the windows of my heart I open to the day." - John Greenleaf Whittier

Show at Eddie's Attic on Feb. 1st!

'Tis true, friends.

I have a show. Rather I shall have a show. A show is on the horizon. I will eventually, in a matter of 9 days, step onto the stage at Eddie's Attic and attempt to play and sing songs in a pleasing manner.

I think I clarified that enough, yes?

I'm the opener for Erick Baker and Mieka Pauley, two very talented musicians. Erick is actually managed by my old manager and she has pretty good taste in music. I mean, she managed ME at one point, so that's good. Heh heh. ;-)

As you can see, I am the guest that is special. I'm just grateful that the word special wasn't put into quotation marks.

If you live in the Atlanta area I would be honoured if you made your way to Decatur and up the stairs to Eddie's Attic, found a cozy table, ordered some ridiculously good food to nosh on and opened yourself up to a night of good music. I mean I'm really thinking of you here. Thinking of your well being. You very well might NEED this. Who doesn't need attic stairs, cozy tables, yummy food and music? No one I want to know, that's who.

I'm looking forward to seeing your lovely faces.

(In case you missed the link up there you can go to http://eddiesattic.com and purchase your tickets there. Thanks!)

"And the night shall be filled with music,
And the cares that infest the day
Shall fold their tents like the Arabs
And as silently steal away."

Henry Wadsworth Longfellow